This article examines the portrayal of childhood in 19th-century English literature from social, psychological, and cultural perspectives. Excluding the works of Charlotte Bronte and Charles Dickens’ Oliver Twist, it analyzes the depictions of childhood in the works of Thomas Hardy, Elizabeth Gaskell, George Eliot, and William Wordsworth. The study explores the social issues of the Victorian era, attitudes toward childhood, and the symbolic significance of child characters. Through these portrayals, authors convey social critique and psychological insights.

In our article we are talking about the will and its power in the philosophy of Aurobindo Ghosh, which provides the higher consciousness of man, as well as free will. We have also explained that the true self is a divine entity that interprets human nature. At the same time, the supernatural ability of man lies in the fact that he has passed from the subconscious to perfection, and that the new spiritual power is the true path of man to perfection, true happiness and the law of life.